What is another word for F. Scott Fitzgerald?

Pronunciation: [ˈɛf] (IPA)

F. Scott Fitzgerald has long been associated with the Roaring Twenties, the Jazz Age and the Lost Generation, and is widely known as one of the greatest American writers of the 20th century. Some of the synonyms that have been attributed to him throughout the years include 'The Great Gatsby', 'Fitz', 'Flapper Era Chronicler' and 'The Prophet of Excess'. Fitzgerald is also remembered as a master of short stories, a prolific writer, and a literary icon that captured the zeitgeist of his time with remarkable ease. His legacy continues to inspire and influence writers today, cementing his place as a true American literary legend.

What are the hypernyms for F. scott fitzgerald?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

Famous quotes with F. scott fitzgerald

  • F. Scott Fitzgerald is the first of the last generation.
    Gertrude Stein
  • Most of my script-writing friends – I never had more than a handful—took eagerly to the bottle or the analyst’s couch, filled their extravagant ménages with threats of suicide, hurled themselves into hysterical amours. And some of them actually died in their forties and fifties. Among these were the witty Herman Mankiewicz and F. Scott Fitzgerald, the fine novelist.
    Ben Hecht
  • If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader really isn't sure, either. They just want to know when they're supposed to pretend that they're amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the “form of funny,” which is more easily understood (and more easily constructed) than authentic funniness.
    Chuck Klosterman

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