What is another word for high relief?

Pronunciation: [hˈa͡ɪ ɹɪlˈiːf] (IPA)

High relief is a term used in sculpture and art to describe a three-dimensional artwork that protrudes prominently from its background. High relief can also be referred to as alto-relievo or haut relief, both terms depict the prominence of the work. The distinctive feature of high relief is that it has a significant amount of depth between the background and the raised parts of the artwork. Other terms for high relief include bas-relief, deep relief, or even sunken relief. All these terms are used to describe the degree of depth between the artwork's background and its projection, with high relief being the most prominent.

Synonyms for High relief:

What are the hypernyms for High relief?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for high relief?

Low relief is the common antonym for the term high relief. Low relief refers to a sculpture technique where the design is only slightly raised above the base material. It is often seen in decorative architectural elements, medals, and coins. Low relief is also known as bas-relief or basso-relievo. Unlike high relief, where the design is highly pronounced and three-dimensional, low relief is more subtle and delicate. Other antonyms for high relief include flat relief, sunken relief, incised relief, and intaglio. Each of these techniques alters the depth and prominence of the design, resulting in a range of visual effects.

What are the antonyms for High relief?

Famous quotes with High relief

  • Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over It must be remembered that any violation of what we know as natural law is a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author. . . . Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the of life, they must shift their emphasis toward something to which they be true; namely, certain wistful or restless of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.
    H. P. Lovecraft
  • A rich man’s body is like a premium cotton pillow, white and soft and blank. ‘’Ours’’ is different. My father’s spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog’s collar; cuts and nicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man’s life is written on his body, in a sharp pen.
    Aravind Adiga

Related words: high relief coin, high relief medal, high relief paperweight, high relief belt buckle, high relief stone

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