What is another word for verbal description?

Pronunciation: [vˈɜːbə͡l dɪskɹˈɪpʃən] (IPA)

When writing, it's essential to choose words that will convey your message clearly and effectively. When you're looking for synonyms for the phrase "verbal description," there are a few options to consider. "Oral depiction" may be a good choice, as it emphasizes the spoken nature of the description. "Narrative account" is another option, which may be appropriate if you're describing a story or series of events. If you want to emphasize the visual aspect of the description, you might use "pictorial representation" or "graphic portrayal." Ultimately, the best synonym will depend on the context and tone of your writing, so choose the word that works best for your goals.

What are the hypernyms for Verbal description?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

Famous quotes with Verbal description

  • Locke supposes that a person acquainted sensibly with the colours which compose a rainbow, can by the names of such colours in a verbal description, be made visually acquainted with a rainbow. The verbal description will give such a person's intellect a good verbal definition of the word rainbow, but it cannot communicate the sight to the extent that it differs, in any manner from the sights he already knows.
    Alexander Bryan Johnson
  • In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in that I have known the real clutch of stark, hideous, maddening, paralysing . My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of . Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!
    H. P. Lovecraft
  • In times of exceptional stress, nature will often give people's behavior so tragical a complexion that neither a picture nor a verbal description is competent to represent its titanic energy.
    Stefan Zweig

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