What is another word for aesthetic principle?

Pronunciation: [iːsθˈɛtɪk pɹˈɪnsɪpə͡l] (IPA)

The term 'aesthetic principle' refers to the fundamental idea or concept behind a piece of art or design. Synonyms for this term include aesthetic theory, artistic philosophy, and design principle. These concepts refer to the underlying principles that guide the creation of art or design, including ideas such as visual harmony, balance, and proportionality. Other synonyms for aesthetic principle might include concepts like composition, style, form, and creativity. Ultimately, the goal of these principles is to create a visually pleasing and meaningful art or design piece that resonates with its intended audience. Understanding the various synonyms for aesthetic principle can help artists and designers better explore and develop their own unique artistic philosophies.

What are the hypernyms for Aesthetic principle?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.
  • Other hypernyms:

    Design principle, artistic concept, creative concept, visual concept, visual idea.

What are the opposite words for aesthetic principle?

When thinking of antonyms for the phrase "aesthetic principle", there are a few options to consider. Firstly, there could be the idea of an "ugly principle" or a "non-aesthetic principle", which would refer to something that did not prioritize beauty or visual appeal. Another option could be a "functional principle" or a "utilitarian principle", which would value practicality over aesthetics. Additionally, an "unrefined principle" or a "crudely designed principle" could be seen as the opposite of an "aesthetic principle" which values elegance and sophistication in design. Ultimately, the antonyms for "aesthetic principle" would depend on the context and values being considered.

What are the antonyms for Aesthetic principle?

Famous quotes with Aesthetic principle

  • Form follows profit is the aesthetic principle of our times.
    Richard Rogers
  • Professor Bell, in his tortured efforts to sound fair and impersonal, arrives at an aesthetic principle too edifying for Art to bear. He says in effect that you can explore evil, drawing "on the tap roots of the demonic," but you may not approve it. But when you draw on those tap roots, who knows what you will find? Writers just back from their season in hell are likely to be covered in goat blood and tend to rave. The moralists can sort out the evidence later. But the writer with the correct attitude could not have entered hell in the first place.
    Wilfrid Sheed

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