What is another word for associative?

Pronunciation: [ɐsˈə͡ʊsi͡ətˌɪv] (IPA)

The word "associative" is often used to describe a relationship between two or more things that are connected in some way. Synonyms for this term include related, correlated, connected, linked, interrelated, intertwined, and interdependent. These words all suggest a common thread or bond between different elements, and they are often used to describe complex systems or networks of interconnected elements. In addition, other synonyms for "associative" include cooperative, collaborative, and team-oriented, all of which suggest a focus on working together and building relationships with others. Overall, the word "associative" is an important concept in many different fields, from mathematics and computer science to psychology and social sciences.

Synonyms for Associative:

What are the paraphrases for Associative?

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What are the hypernyms for Associative?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the hyponyms for Associative?

Hyponyms are more specific words categorized under a broader term, known as a hypernym.
  • Other hyponyms:

    • n.
      left-associative, right-associative.

What are the opposite words for associative?

The antonyms of the word 'associative' include unconnected, unassociated, dissociative, disjointed, disconnected, detached, disparate, isolated, and unlinked. These words suggest a lack of connectivity, relationship, or association between two or more things. For example, a disjointed argument is one in which the points made do not connect logically or have any association with each other. Similarly, dissociative disorder is a mental disorder that causes a person to disconnect from their reality, often resulting in memory loss or personality changes. In contrast, associative thinking is a cognitive process where connections are made quickly between various ideas, concepts, or experiences.

What are the antonyms for Associative?

Usage examples for Associative

And the complication of innuendo and associative reference on the enormous scale to which you give way to it does so build out the matter for the reader that the result is to solidify, by the mere bulk of the process, the like perception from which he has to start.
"The Letters of William James, Vol. II"
William James
You will think that my associative process is in a most disorderly state, by all this running up and down the stairs of all sorts of subjects, in the naming of books.
"The Letters of Elizabeth Barrett Browning (1 of 2)"
Frederic G. Kenyon
And it was for that reason-it was for the purpose of marking the value they set upon the associative principle as the chief source of healing for the existing ills of the nations-that they chose to risk misunderstanding and obloquy by accepting the nickname put upon them by their adversaries.
"Contemporary Socialism"
John Rae

Famous quotes with Associative

  • Outside speech, the association that is made in the memory between words having something in common creates different groups, series, families, within which very diverse relations obtain but belonging to a single category: these are associative relations.
    Ferdinand de Saussure
  • Doing linear scans over an associative array is like trying to club someone to death with a loaded Uzi.
    Larry Wall
  • Mental space and its existence is what makes things like remote viewing possible. There shouldn’t be any limit to it.All the distances are associative.In conceptual space they are right next to one another. Distances can only be associative, even vast interstellar distances shouldn’t be a problem. Time would also function like this.
    Alan Moore
  • Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over It must be remembered that any violation of what we know as natural law is a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author. . . . Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the of life, they must shift their emphasis toward something to which they be true; namely, certain wistful or restless of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.
    H. P. Lovecraft

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