What is another word for assumed name?

Pronunciation: [ɐsˈuːmd nˈe͡ɪm] (IPA)

An "assumed name" is often used as a synonym for "alias". However, there are other words that can be used to describe this concept, including "nom de plume" or "pen name" when an author uses a different name for their published works. "Pseudonym" is another common word used to describe an assumed name, but this specifically refers to a false name adopted by someone to conceal their identity. "Stage name" is also a synonym for assumed name, often used by actors or performers who go by a different name than their birth name. Overall, the term "assumed name" encompasses a wide range of names used for various reasons.

What are the hypernyms for Assumed name?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for assumed name?

Assumed name is a term commonly used to refer to a pseudonym or a name used in place of one's legal name. Antonyms for the term include the actual name or legal name of an individual. An assumed name is often used for various reasons such as privacy, artistic expression or to avoid detection. However, it is important to note that using an assumed name can also be illegal in certain circumstances, such as in cases of fraud or identity theft. In conclusion, while an assumed name provides anonymity, it is crucial to use it responsibly and within the boundaries of the law.

What are the antonyms for Assumed name?

  • n.

    alias

Famous quotes with Assumed name

  • Popular success is a palace built for a writer by publishers, journalists, admirers and professional reputation makers, in which a silent army of termites, rats, dry rot and death-watch beetles are tunnelling away, till, at the very moment of completion, it is ready to fall down. The one hope for a writer is that although his enemies are often unseen they are seldom unheard. He must listen for the death-watch, listen for the faint toc-toc, the critic's truth sharpened by envy, the embarrassed praise of a sincere friend, the silence of gifted contemporaries, the implications of the don in the manger, the visitor in the small hours. He must dismiss the builders and contractors, elude the fans with an assumed name and dark glasses, force his way off the moving staircase, subject every thing he writes to a supreme critical court. Would it amuse Horace or Milton or Swift or Leopardi? Could it be read to Flaubert? Would it be chosen by the Infallible Worm, by the discriminating palates of the dead?
    Cyril Connolly

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