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What is another word for classical style?

Pronunciation: [klˈasɪkə͡l stˈa͡ɪl] (IPA)

Classical style is a term often used to describe a specific style of visual art, architecture, and music that is influenced by ancient Greek and Roman cultures. However, there are many other terms that can be used to describe this aesthetic, including neoclassical, traditional, balanced, and formal. Neoclassical style is often used to describe works from the revival of classical influences in the 18th and 19th centuries. Traditional style emphasizes traditional values and is often associated with conservative political ideologies. Balanced style refers to works that exhibit harmony, symmetry, and proportion. Formal style is characterized by a strict adherence to established rules and conventions. Overall, there are many different ways to describe the classical style, each emphasizing different aspects and contexts.
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Synonyms for Classical style:

What are the hypernyms for Classical style?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

  • Other hypernyms:

    architectural styles, Artistic styles, Compositional styles, Design styles, Music styles.

What are the hyponyms for Classical style?

Hyponyms are more specific words categorized under a broader term, known as a hypernym.

Famous quotes with Classical style

  • Yes, I tried to change the classical style in a way that people who don't understand it can enjoy.
    Nusrat F. A. Khan
  • With saccharine terrorism, Mr. Peale refuses to allow his followers to hear, speak or see any evil. For him real human suffering does not exist; there is no such thing as murderous rage, suicidal despair, cruelty, lust, greed, mass poverty, or illiteracy. All these things he would dismiss as trivial mental processes which will evaporate if thoughts are simply turned into more cheerful channels. This attitude is so unpleasant it bears some search for its real meaning. It is clearly not a genuine denial of evil but rather a horror of it. A person turns his eyes away from human bestiality and the suffering it evokes only if he cannot stand to look at it. By doing so he affirms the evil to be absolute, he looks away only when he feels that nothing can be done about it ... The belief in pure evil, an area of experience beyond the possibility of help or redemption, is automatically a summons to action: "evil" means "that which must be attacked ..." Between races for instance, this belief leads to prejudice. In child-rearing it drives parents into trying to obliterate rather than trying to nurture one or another area of the child's emerging personality ... In international relationships it leads to war. As soon as a religious as a religious authority endorses our capacity for hatred, either by refusing to recognize unpleasantness in the style of Mr Peale or in the more classical style of setting up a nice comfortable Satan to hate, it lulls our struggles for growth to a standstill ... Thus Mr Peale's book is not only inadequate for our needs but even undertakes to drown out the fragile inner voice which is the spur to inner growth.
    Norman Vincent Peale

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