What is another word for contour?

Pronunciation: [kˈɒntʊ͡ə] (IPA)

Contour is a word that is often used in combination with topography, design, and beauty to indicate the shape of curves on a surface. It is a word with several synonyms such as outline, shape, silhouette, profile, form, and configuration that one can use to describe the curves and lines of an object or figure. Other synonyms for contour are border, perimeter, boundary, marking, or pattern. These words are interchangeable and can help in writing, art, or everyday conversation about the physical appearance and structure of something. Using varying synonyms can add depth and accuracy to your communication while expanding your vocabulary.

Synonyms for Contour:

What are the paraphrases for Contour?

Paraphrases are restatements of text or speech using different words and phrasing to convey the same meaning.
Paraphrases are highlighted according to their relevancy:
- highest relevancy
- medium relevancy
- lowest relevancy

What are the hypernyms for Contour?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.
  • hypernyms for contour (as nouns)

  • hypernyms for contour (as verbs)

What are the hyponyms for Contour?

Hyponyms are more specific words categorized under a broader term, known as a hypernym.

Usage examples for Contour

In the Arctic, nature tries to cover its nakedness in places where the cruel winds do not cut its contour.
"My Attainment of the Pole"
Frederick A. Cook
With the failing light the air quickly chilled, the bright contour of the land blurred, the deep blue of the sea faded to a dull purple-blue seemingly lighter, but the midday splendor of high lights and shadows was lost.
"My Attainment of the Pole"
Frederick A. Cook
McKinley has a base twenty-five miles wide; it has upon the various slopes of its giant uplift hundreds of peaks, all glacial, polished, and of a similar contour.
"My Attainment of the Pole"
Frederick A. Cook

Famous quotes with Contour

  • I go walking, and the hills loom above me, range upon range, one against the other. I cannot tell where one begins and another leaves off. But when I talk with God, He lifts me up where I can see clearly where everything has a distinct contour.
    Madam Chaiang Kai-shek
  • Believe in the holy contour of life
    Jack Kerouac
  • The realist, then, would seek in behalf of philosophy the same renunciation the same rigour of procedure, that has been achieved in science. This does not mean that he would reduce philosophy to natural or physical science. He recognizes that the philosopher has undertaken certain peculiar problems, and that he must apply himself to these, with whatever method he may find it necessary to employ. It remains the business of the philosopher to attempt a wide synoptic survey of the world, to raise underlying and ulterior questions, and in particular to examine the cognitive and moral processes. And it is quite true that for the present no technique at all comparable with that of the exact sciences is to be expected. But where such technique is attainable, as for example in symbolic logic, the realist welcomes it. And for the rest he limits himself to a more modest aspiration. He hopes that philosophers may come like scientists to speak a common language, to formulate common problems and to appeal to a common realm of fact for their resolution. Above all he desires to get rid of the philosophical monologue, and of the lyric and impressionistic mode of philosophizing. And in all this he is prompted not by the will to destroy but by the hope that philosophy is a kind of knowledge, and neither a song nor a prayer nor a dream. He proposes, therefore, to rely less on inspiration and more on observation and analysis. He conceives his function to be in the last analysis the same as that of the scientist. There is a world out yonder more or less shrouded in darkness, and it is important, if possible, to light it up. But instead of, like the scientist, focussing the mind's rays and throwing this or that portion of the world into brilliant relief, he attempts to bring to light the outlines and contour of the whole, realizing too well that in diffusing so widely what little light he has, he will provide only a very dim illumination.
    Ralph Barton Perry
  • Hedged in though she [Savitri] is by mortality, her life‘s movement keeps the measure of the Gods. Painting her being and its human-divine beauty Sri Aurobindo achieves some of his supreme effects. Perhaps his grandest capture of the mantra are the nine verses which form the centre of a long passage, variously mantric, in which Savitri‘s avatarhood is characterised (...) A hieratic poetry, demanding a keen sense of the occult and spiritual to compass both its subjective and objective values, is in this audacious and multi-dimensioned picture of a highly Yogic state of embodied being. Not all might respond to it and Sri Aurobindo knew that such moments in Savitri would have to wait long for general appreciation. But he could not be loyal to his mission without giving wide scope to the occult and spiritual and seeking to poetise them as much as possible with the vision and rhythm proper to the summits of reality. Of course, that vision and that rhythm are not restricted to the posture and contour of the summits, either the domains of divine dynamism or (...) or the mid-worlds, obscure or luminous, fearsome or marvellous, of which Savitri‘s father, King Aswapathy, carries out a long exploration which is one of the finest and most fascinating parts of the poem. They extend to the earth-drama too and set living amongst us the mysteries and travails of cosmic evolution, like that dreadful commerce of Savitri with one to whom Sri Aurobindo gives no name:
    K. D. Sethna
  • Fat girl, terrestrial, my summer, my night, How is it I find you in difference, see you there In a moving contour, a change not quite completed?
    Wallace Stevens

Word of the Day

chucker-out, bouncer.