What is another word for goldsmith?

Pronunciation: [ɡˈə͡ʊldsmɪθ] (IPA)

A goldsmith is a skilled craftsman who works with gold to create jewelry, ornaments, and other decorative objects. There are many synonyms for this profession, including jeweler, goldworker, silversmith, metalworker, and artisan. Each of these terms refers to an individual with the skill and expertise to create beautiful and unique works of art from precious metals such as gold, silver, and copper. Whether crafting a one-of-a-kind engagement ring or designing a stunning piece for a museum exhibit, these craftsmen use their mastery of precious metals to create objects that are both functional and beautiful, reflecting the timeless elegance and beauty of metalwork throughout the ages.

Synonyms for Goldsmith:

What are the paraphrases for Goldsmith?

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  • Other Related

    • Noun, singular or mass
      gold.

What are the hypernyms for Goldsmith?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

Usage examples for Goldsmith

And before touching on the limitations resulting from this incarceration, it may be worth while to venture a brief glance back over the history of what Milton himself denominated as "the jingling sounds of like endings" and goldsmith characterized as "a vile monotony" and even Howells has spoken of as "the artificial trammels of verse."
"Open Water"
Arthur Stringer
The younger boy, Jacob, was a goldsmith in London after Holbein's death.
"Holbein"
Beatrice Fortescue
Such a master goldsmith was no tradesman, in our sense of the word.
"Holbein"
Beatrice Fortescue

Famous quotes with Goldsmith

  • If you ask me abruptly Why write poetry Why not do Something useful Then I won't know How to answer you I am like a goldsmith hammering day and night Just so I can extend pain Into a gold ornament as thin as a cicada's wing I don't know if working so hard To transform sorrows into Shimmering words and phrases Is also Beautifully worthwhile.
    Xi Murong
  • Yesterday I went for the second time to the Crystal Palace. We remained in it about three hours, and I must say I was more struck with it on this occasion than at my first visit. It is a wonderful place – vast, strange, new and impossible to describe. Its grandeur does not consist in one thing, but in the unique assemblage of all things. Whatever human industry has created you find there, from the great compartments filled with railway engines and boilers, with mill machinery in full work, with splendid carriages of all kinds, with harness of every description, to the glass-covered and velvet-spread stands loaded with the most gorgeous work of the goldsmith and silversmith, and the carefully guarded caskets full of real diamonds and pearls worth hundreds of thousands of pounds. It may be called a bazaar or a fair, but it is such a bazaar or fair as Eastern genii might have created. It seems as if only magic could have gathered this mass of wealth from all the ends of the earth – as if none but supernatural hands could have arranged it this, with such a blaze and contrast of colours and marvellous power of effect. The multitude filling the great aisles seems ruled and subdued by some invisible influence. Amongst the thirty thousand souls that peopled it the day I was there not one loud noise was to be heard, not one irregular movement seen; the living tide rolls on quietly, with a deep hum like the sea heard from the distance.
    Charlotte Brontë

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