What is another word for lack of restraint?

Pronunciation: [lˈak ɒv ɹɪstɹˈe͡ɪnt] (IPA)

The phrase "lack of restraint" refers to the inability to control one's actions or emotions. There are several synonyms that can be used to describe this lack of control, including impulsiveness, recklessness, wildness, abandon, excessiveness, and indulgence. Impulsiveness is the tendency to act without thinking, while recklessness implies a disregard for potential consequences. Wildness suggests an untamed and unpredictable behavior, while abandon indicates a complete surrender to desires. Excessiveness implies going beyond what is appropriate or necessary, and indulgence refers to the gratification of desires without restraint. All of these synonyms describe varying degrees of a lack of restraint, and can be used interchangeably depending on the context in which they are used.

What are the hypernyms for Lack of restraint?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for lack of restraint?

The antonyms of the phrase "lack of restraint" include words like constraint, discipline, self-control, moderation, and temperance. These words denote a sense of control, moderation, and order, which is lacking in the absence of restrain. People who possess these qualities tend to be balanced, composed, reasonable and exhibit a high level of maturity. Conversely, the absence of restraint often leads to recklessness, impulsivity, and uncontrolled behavior, which could have adverse consequences on one's well-being or reputation. Therefore, it is essential to cultivate the habit of restraint as part of one's personal development to become a responsible and dependable individual.

Famous quotes with Lack of restraint

  • Consider some of the qualities of typical modernistic poetry: very interesting language, a great emphasis on connotation, "texture"; extreme intensity, forced emotion — violence; a good deal of obscurity; emphasis on sensation, perceptual nuances; emphasis on details, on the part rather than on the whole; experimental or novel qualities of some sort; a tendency toward external formlessness and internal disorganization — these are justified, generally, as the disorganization required to express a disorganized age, or, alternatively, as newly discovered and more complex types of organization; an extremely personal style — ; lack of restraint — all tendencies are forced to their limits; there is a good deal of emphasis on the unconscious, dream structure, the thoroughly subjective; the poet's attitudes are usually anti-scientific, anti-common-sense, anti-public — he is, essentially, removed; poetry is primarily lyric, intensive — the few long poems are aggregations of lyric details; poems usually have, not a logical, but the more or less associational style of dramatic monologue; and so on and so on. This complex of qualities is essentially romantic; and the poetry that exhibits it represents the culminating point of romanticism.
    Randall Jarrell

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