What is another word for pox?

Pronunciation: [pˈɒks] (IPA)

The term "pox" refers to a group of infectious diseases caused by a virus or bacteria. Symptoms often include skin lesions or rashes and in some cases, can lead to serious health complications. Some common synonyms for "pox" include "smallpox," "chickenpox," "monkeypox," and "cowpox." Other terms, such as "syphilis," "gonorrhea," and "herpes" may also be associated with "pox." It is important to note that while many of these illnesses have been controlled or eradicated through vaccination and medical treatment, the term "pox" remains a reminder of the historical impact of infectious diseases on human populations.

What are the paraphrases for Pox?

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What are the hypernyms for Pox?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the hyponyms for Pox?

Hyponyms are more specific words categorized under a broader term, known as a hypernym.
  • hyponyms for pox (as nouns)

Usage examples for Pox

It occurred to him that Smain, desiring to capture slaves, could not seek for them directly west of Fashoda, as that country was already entirely depopulated by dervishes and small-pox; but that he would have to go to localities which heretofore were not visited by an expedition.
"In Desert and Wilderness"
Henryk Sienkiewicz
"I reproach myself," he said after a while, "that I did not take leave in that manner of those who died of small-pox and of those who fell into their final slumber.
"In Desert and Wilderness"
Henryk Sienkiewicz
Uncle Billy Hoonover come in a while ago sayin' the Scribbenses had small-pox.
"The Man from Jericho"
Edwin Carlile Litsey

Famous quotes with Pox

  • My friend told me later he got the chicken pox. I told him I caught politics and never got over it.
    Jack Johnson
  • The Whites were determined to fight it out with each other—down to the last Indian.distributed among the Indians handkerchiefs and blankets from the small pox hospitalprobably the first use of biological warfare in history.
    Peter Farb
  • A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being present at these vespers of the 'Mendicanti', and we were not alone. The church was always full of the lovers of the art, and even the actors of the opera came there to form their tastes after these excellent models. What vexed me was the iron grate, which suffered nothing to escape but sounds, and concealed from me the angels of which they were worthy. I talked of nothing else. One day I spoke of it at Le Blond's; "If you are so desirous," said he, "to see those little girls, it will be an easy matter to satisfy your wishes. I am one of the administrators of the house, I will give you a collation [light meal] with them." I did not let him rest until he had fulfilled his promise. In entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love which I had never before experienced. M. le Blond presented to me one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia, — she was horrid. Come, Cattina, — she had but one eye. Come, Bettina, — the small-pox had entirely disfigured her. Scarcely one of them was without some striking defect. Le Blond laughed at my surprise; however, two or three of them appeared tolerable; these never sung but in the choruses; I was almost in despair. During the collation we endeavored to excite them, and they soon became enlivened; ugliness does not exclude the graces, and I found they possessed them. I said to myself, they cannot sing in this manner without intelligence and sensibility, they must have both; in fine, my manner of seeing them changed to such a degree that I left the house almost in love with each of these ugly faces. I had scarcely courage enough to return to vespers. But after having seen the girls, the danger was lessened. I still found their singing delightful; and their voices so much embellished their persons that, in spite of my eyes, I obstinately continued to think them beautiful.
    Jean-Jacques Rousseau
  • Dr Williams’s book is about a number of nineteenth-century French writers who caught syphilis and probably died of paresis. They are Baudelaire, Jules de Goncourt, Flaubert, Guy de Maupassant and Daudet. A similar book could probably be written about nineteenth-century British writers, including such unlikely victims of syphilis as John Keats and Edward Lear. People were not so frightened of the disease as we are. Few physicians saw the connection between cerebral degeneration and the primary chancre: when the secondary stage of the infection had healed, it was generally assumed that everything was over and lightning would not strike the tree again. This was Baudelaire’s belief. One could even rejoice at picking up the pox: it was not merely an inoculation; it advertised one’s virility to the world....
    Anthony Burgess
  • And are there no laws of moral health? Can they be outraged and the penalty not paid? Let a man turn out of the bright and bustling Broadway, out of the mad revel of riches and the restless, unripe luxury of ignorant men whom sudden wealth has disordered like exhilarating gas; let him penetrate through sickening stench the lairs of typhus, the dens of small-pox, the coverts of all loathsome disease and unimaginable crimes; let him see the dull, starved, stolid, lowering faces, the human heaps of utter woe, and, like Jefferson in contemplating slavery a hundred years ago in Virginia, he will murmur with bowed head, 'I tremble for this city when I remember that God is just'. Is his justice any surer in a tenement-house than it is in a State? Filth in the city is pestilence. Injustice in the State is civil war. 'Gentlemen', said George Mason, a friend and neighbor of Jefferson's, in the Convention that framed the Constitution, 'by an inscrutable chain of causes and effects Providence punishes national sins by national calamities'. 'Oh no. gentlemen, it is no such thing', replied John Rutledge of South Carolina. 'Religion and humanity have nothing to do with this question. Interest is the governing principle with nations'. The descendants of John Rutledge live in the State which quivers still with the terrible tread of Sherman and his men. Let them answer! Oh seaports and factories, silent and ruined! Oh barns and granaries, heaps of blackened desolation! Oh wasted homes, bleeding hearts, starving mouths! Oh land consumed in the fire your own hands kindled! Was not John Rutledge wrong, was not George Mason right, that prosperity which is only money in the purse, and not justice or fair play, is the most cruel traitor, and will cheat you of your heart's blood in the end?
    George William Curtis

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