What is another word for stairwell?

Pronunciation: [stˈe͡əwɛl] (IPA)

Stairwells are an integral part of many buildings, providing access to higher floors and emergency exits. There are several synonyms for the word 'stairwell' that can be used alternatively, depending on the context. One such word is staircase, which refers to the set of steps and its adjoining structures. Another synonym is the stairway, which implies a broader structure that includes the landing, handrail, and other construction elements. Additionally, we can use the word "escalator," which is an electric-powered staircase that moves people up and down. In some buildings, you may find a spiral staircase, which winds around a central column and is visually appealing. Overall, these synonyms offer various ways to describe the structure used to traverse between floors.

Synonyms for Stairwell:

What are the paraphrases for Stairwell?

Paraphrases are restatements of text or speech using different words and phrasing to convey the same meaning.
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What are the hypernyms for Stairwell?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the hyponyms for Stairwell?

Hyponyms are more specific words categorized under a broader term, known as a hypernym.
  • hyponyms for stairwell (as nouns)

Usage examples for Stairwell

As they moved to the stairwell leading down to the third-floor elevator, Bartlett said, "I know you've been here once before.
"Syndrome"
Thomas Hoover
Voices came down the stairwell clearly, even words being defined in the silence.
"Out Like a Light"
Gordon Randall Garrett
When Steve was half-way between the stairwell and Mr. Daley's door, the latter opened and Eric Sawyer came out.
"Left End Edwards"
Ralph Henry Barbour

Famous quotes with Stairwell

  • I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.
    Alain de Botton

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