What is another word for rough-cut?

Pronunciation: [ɹˈʌfkˈʌt] (IPA)

Rough-cut is a term that refers to something that is not refined or polished. It is a versatile adjective that can describe a variety of things, including haircuts, diamonds, wood, and more. There are many synonyms that can be used in place of "rough-cut" to give more specificity or to add texture to the language. Some of these synonyms include unrefined, rugged, jagged, coarse, unfinished, raw, unpolished, and untreated. Each of these terms has its own connotation and can be used in different contexts. Using synonyms can help to add variety and interest to writing, making it more engaging for readers.

Synonyms for Rough-cut:

What are the hypernyms for Rough-cut?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for rough-cut?

Rough-cut is a term used to describe something that is unfinished, unpolished or unrefined. The opposite of rough-cut is smooth or sleek, which imply that the edges are well-defined, even and polished. Another antonym of rough-cut is refined, which suggests that a product, idea or work has been developed or processed with care, skill and attention to detail. Another contrasting word to rough-cut is polished, which suggests a clean and shiny appearance, and implies a level of sophistication and elegance. Neat, tidy, and organized can also be considered antonyms for rough cut, as these adjectives imply a sense of order and uniformity.

What are the antonyms for Rough-cut?

  • Other relevant words:

    Other relevant words (noun):

Famous quotes with Rough-cut

  • How might one describe Max Beerbohm to someone who knows nothing about him? Well, for a start, one might imagine D.H. Lawrence. Picture the shagginess of Lawrence, his thick beard, his rough-cut clothes, his disdain for all the social and physical niceties. Recall his passionateness—his passion, so to say, for passion itself—his darkness, his gloom. Think back to his appeal to the primary instincts, his personal messianism, his refusal to deal with anything smaller than capital “D” Destiny. Do not neglect his humorlessness, his distaste for all that otherwise passed for being civilized, his blood theories and manifold roiling hatreds. Have you, then, D.H. Lawrence firmly in mind? Splendid. Now reverse all of Lawrence’s qualities and you will have a fair beginning notion of Max Beerbohm, who, after allowing that Lawrence was a man of “unquestionable genius,” felt it necessary to add, “he never realized, don’t you know—he never suspected that to be stark, staring mad is somewhat of a handicap to a writer.”
    Max Beerbohm

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