What is another word for diatonic?

Pronunciation: [dˌa͡ɪətˈɒnɪk] (IPA)

When looking for synonyms for the word "diatonic," there are a few options to consider. One possibility is "chromatic," which refers to a scale consisting of half-steps as opposed to whole steps like a diatonic scale. Another synonym is "tonal," which refers to music that is based on a particular key or tonality. "Modal" is another word that is often associated with the concept of diatonicism, as it refers to music that is based on a particular mode or scale. Additionally, "pentatonic" and "heptatonic" are both words that can be used to describe scales that are related to diatonicism.

What are the hypernyms for Diatonic?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for diatonic?

Diatonic is a musical term used to describe a piece of music that is based on the seven-note scale. Antonyms for the word diatonic include atonal, chromatic, and dissonant. Atonal music does not follow the traditional rules of tonality, and often creates a sense of musical chaos. Chromatic music utilizes a larger scale of notes, including tones that are not found in the traditional scale, and often creates a sense of tension and instability. Dissonant music is also characterized by a sense of instability, but is distinguished by its focus on clashing tones and chords. All of these terms describe forms of music that are distinct from the smooth harmonies and traditional scales of diatonic music.

What are the antonyms for Diatonic?

Usage examples for Diatonic

Comparing a modern hymn-tune in this style with some fine setting of an old tune in the diatonic ecclesiastical manner, one might attribute the superiority of the old music entirely to its harmonic system; but I think this would be wrong.
"A Practical Discourse on Some Principles of Hymn-Singing"
Robert Bridges
In chromatic movements his modulation was as easy and sequent as in diatonic.
"Johann Sebastian Bach"
Johann Nikolaus Forkel and Charles Sanford Terry
Our ears are so accustomed to associate melody with a certain diatonic scale, and with accompanying harmony, actual or potential, that it is very difficult for us to comprehend as melody successions which do not conform to that scheme, as, for example, the melodies of Oriental nations, the scales of which are far more complex and difficult to understand than ours.
"Wagner's Tristan und Isolde"
George Ainslie Hight

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