What is another word for languor?

Pronunciation: [lˈaŋɡjuːə] (IPA)

There are many synonyms for the word "languor" that can be used to describe a lack of energy or vitality. Some examples include lethargy, listlessness, torpor, inertia, apathy, and sluggishness. Each of these words conveys a sense of tiredness or exhaustion, and can be used to describe physical or mental fatigue. Other related words include weariness, fatigue, and ennui, which imply a sense of boredom or monotony. Whether describing a person's mood or an entire atmosphere, these synonyms for "languor" can be effective in conveying a sense of restlessness or disinterest.

Synonyms for Languor:

What are the hypernyms for Languor?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the hyponyms for Languor?

Hyponyms are more specific words categorized under a broader term, known as a hypernym.

What are the opposite words for languor?

Languor is typically used to describe a feeling of physical or mental weakness, weariness or lethargy. Antonyms for this word include vigor, energy, liveliness, and vitality. These words are often used to describe a sense of robustness, strength, and enthusiasm. Energy is the opposite of languor and denotes a sense of liveliness and dynamism. Conversely, languor can also be described in terms of mental states, and here, antonyms include alertness, acuity, and mental agility. Alertness represents a state of vigilance, attentiveness and readiness to act, which contrasts with the lethargy and slowness of languor.

Usage examples for Languor

There was more than languor in her tone.
"Lonesome Land"
B. M. Bower
It came tonight with its eyes of languor and its scented hair and its smile of temptation-to drag him back!
"The Man from Jericho"
Edwin Carlile Litsey
All about Peter there was an atmosphere of extraordinary languor-just to sit here and let the days slip by, the years pass.
"Fortitude"
Hugh Walpole

Famous quotes with Languor

  • A new type of poem has been evolved and popularized by the demands of the anthology-reading public. It is called 'the perfect modern lyric.' Like the best-seller novel, it is usually achieved in the dark; but certain critical regulations can be made for it. It must be fairly regular in form and easily memorized, it must be a new combination of absolutely warn-out material, it must have a certain unhealthy vigour or languor, and it must start off engagingly with a simple sentimental statement. Somewhere a daring pseudo-poetical image must be included...
    Laura Riding
  • It was the last weakness he meant to indulge in; and a man never lies with more delicious languor under the influence of a passion than when he has persuaded himself that he shall subdue it to-morrow.
    George Eliot
  • The success of his animated him to a higher undertaking; ...he gave us a complete English Eneid. Pitt, engaging as a rival with Dryden, naturally observed his failures, and avoided them; and, as he wrote after Pope's Iliad, he had an example of an exact, equable, and splendid versification. With these advantages, seconded by great diligence, he might successfully labour particular passages, and escape many errors. If the two versions are compared, perhaps the result would be, that Dryden leads the reader forward by his general vigour and sprightliness, and Pitt often stops him to contemplate the excellence of a single couplet; that Dryden's faults are forgotten in the hurry of delight, and that Pitt's beauties are neglected in the languor of a cold and listless perusal; that Pitt pleases the criticks, and Dryden the people; that Pitt is quoted, and Dryden read.
    Christopher Pitt
  • This poet contains great beauties, a sweet and harmonious versification, easy elocution, a fine imagination: Yet ... it soon becomes a kind of task-reading; and it requires some effort and resolution to carry us on to the end of his long performance. ...the affectations, and conceits, and fopperies of chivalry...appear ridiculous... The tediousness of continued allegory, and that too seldom striking or ingenious, has also contributed to render the peculiarly tiresome; not to mention the too great frequency of its descriptions, and the languor of its stanza...
    Edmund Spenser
  • The artist and the poet have the facility for mistaking pure languor for meditative peace and strength. True meditation "rests" in swiftness.
    Vilhelm Ekelund

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