What is another word for unsentimental?

Pronunciation: [ʌnsˌɛntɪmˈɛntə͡l] (IPA)

Unsentimental is a word that describes someone or something that lacks emotion or sentimentality. There are several synonyms that can be used in place of "unsentimental." One such synonym is pragmatic, which suggests a practical, realistic approach to situations, without being swayed by emotional considerations. Another synonym for "unsentimental" is dispassionate, which implies a neutrality or lack of bias in one's opinions or actions. A third option could be impartial, which similarly conveys a fairness and lack of bias in making decisions. All of these synonyms suggest an approach that is grounded in logic and rationality, not swayed by emotion or personal attachments.

What are the hypernyms for Unsentimental?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for unsentimental?

Unsentimental means being practical, rational, and unbiased. Opposites of unsentimental include emotional, sentimental, and biased. Emotional is the opposite of practical, and it refers to a state of being overwhelmed by feelings, often leading to irrational decisions. Sentimental is the opposite of rational, and it is the quality of being excessively attached to feelings, memories, or possessions. Biased is the opposite of unbiased, and it refers to the partiality or prejudice of a person towards a particular subject or individual. In summary, the antonyms of unsentimental are emotional, sentimental, and biased.

What are the antonyms for Unsentimental?

Usage examples for Unsentimental

He was altogether unsentimental, but wild animals had to do with his reason for being and there was his fixed partiality for tigers.
"Son of Power"
Will Levington Comfort and Zamin Ki Dost
So the modern worker, as a necessary consequence of his daily work, is practical, skeptical, and unsentimental in his psychology.
"The Book of Life: Vol. I Mind and Body; Vol. II Love and Society"
Upton Sinclair
But he did not comment upon it; it was as if, in the momentary pause that followed his glance, something between them, very definite, very permanent in its existence, entirely unquestioned, because it had always been there, and hardly ever alluded to in words, because they were too close to each other and too unsentimental, took more definite and visible shape.
"The Furnace"
Rose Macaulay

Famous quotes with Unsentimental

  • When I was an atheist it was because I rejected authority, and why not reject the supreme authority of God, particularly that boring fucker on Songs of Praise. I could reject him with the unsentimental dispatch of a clipped toenail. When I got clean from drugs and alcohol, I saw that the way I’d always seen the world was limited. It will always be limited. By yielding authority to a benign power, I found a key to transcend previous limitations. Modest limitations, like being unable to survive without the use of drugs and alcohol. Until the time when I got clean, I’d had little experience of loving, powerful authority. Authority had only been corrupt or inefficient in my experience.
    Russell Brand
  • I used to be a hide-bound Tory simply for traditional and antiquarian reasons—and because I had never done any real on civics and industry and the future. The depression—and its concomitant publicisation of industrial, financial, and governmental problems—jolted me out of my lethargy and led me to reëxamine the facts of history in the light of unsentimental scientific analysis; and it was not long before I realised what an ass I had been. The liberals at whom I used to laugh were the ones who were right—for they were living in the present while I had been living in the past. They had been using science while I had been using romantic antiquarianism. At last I began to recognise something of the way in which capitalism works—always piling up concentrated wealth and impoverishing the bulk of the population until the strain becomes so intolerable as to force artificial reform.
    H. P. Lovecraft
  • Now the trickiest catch in the negro problem is the fact that it is The black vastly inferior. There can be no question of this among contemporary and unsentimental biologists—eminent Europeans for whom the prejudice-problem does not exist. , it is a fact that there a very grave and very legitimate problem For the simple fact is, that No normal being feels at ease amidst a population having vast elements radically different from himself in physical aspect and emotional responses. A normal Yankee feels like a fish out of water in a crowd of cultivated Japanese, even though they may be his mental and aesthetic superiors; and the normal Jap feels the same way in a crowd of Yankees. This, of course, implies permanent association. We can all exotic scenes and like it—and when we are young and unsophisticated we usually think we might continue to like it as a regular thing. But as years pass, the need of old things and usual influences—home faces and home voices—grows stronger and stronger; and we come to see that mongrelism won't work. We require the environing influence of a set of ways and physical types like our own, and will sacrifice anything to get them. Nothing means anything, in the end, except with reference to that continuous immediate fabric of appearances and experiences of which one was originally part; and if we find ourselves ingulphed by alien and clashing influences, we instinctively fight against them in pursuit of the dominant freeman's average quota of legitimate contentment. . . . All that any living man normally wants—and all that any man worth calling such will stand for—is as stable and pure a perpetuation as possible of the set of forms and appearances to which his value-perceptions are, from the circumstances of moulding, instinctively attuned. That is all there is to life—the preservation of a framework which will render the experience of the individual apparently relevant and significant, and therefore reasonably satisfying. Here we have the normal phenomenon of race-prejudice in a nutshell—the legitimate fight of every virile personality to live in a world where life shall seem to mean something. . . . Just how the black and his tan penumbra can ultimately be adjusted to the American fabric, yet remains to be seen. It is possible that the economic dictatorship of the future can work out a diplomatic plan of separate allocation whereby the blacks may follow a self-contained life of their own, avoiding the keenest hardships of inferiority through a reduced number of points of contact with the whites . . . No one wishes them any intrinsic harm, and all would rejoice if a way were found to ameliorate such difficulties as they have without imperilling the structure of the dominant fabric. It is a fact, however, that sentimentalists exaggerate the woes of the average negro. Millions of them would be perfectly content with servile status if good physical treatment and amusement could be assured them, and they may yet form a well-managed agricultural peasantry. The real problem is the quadroon and octoroon—and still lighter shades. Theirs is a sorry tragedy, but they will have to find a special place. What we can do is to discourage the increase of their numbers by placing the highest possible penalties on miscegenation, and arousing as much public sentiment as possible against lax customs and attitudes—especially in the inland South—at present favouring the melancholy and disgusting phenomenon. All told, I think the modern American is pretty well on his guard, at last, against racial and cultural mongrelism. There will be much deterioration, but the Nordic has a fighting chance of coming out on top in the end.
    H. P. Lovecraft
  • There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.
    Stefan Zweig

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