What is another word for feigning?

Pronunciation: [fˈe͡ɪnɪŋ] (IPA)

Feigning is the act of pretending or simulating something that is not real. It is often used to hide one's true feelings or intentions, or to deceive others. There are several synonyms for the word feigning, including pretending, faking, acting, simulating, masquerading, and putting on a false front. These words all describe the act of creating a false impression or appearance, whether it be for personal gain or to avoid negative consequences. Feigning can also be used to describe someone who is being insincere or hypocritical, and as such, additional synonyms for the word include play-acting, dissimulating, and dissembling.

Synonyms for Feigning:

What are the hypernyms for Feigning?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the opposite words for feigning?

Feigning is the act of pretending or faking something, hence, its antonyms would be related to sincerity and honesty. A few antonyms of feigning are truthfulness, genuineness, openness, authenticity, and sincerity. These words represent the opposite of feigning, as they denote the behavior of being true to oneself, and not pretending to be someone else. Therefore, instead of feigning, one should act with honesty and authenticity to foster better relationships with the people around them. Being truthful and genuine can enhance one's personal and professional life, and help in building trust and credibility.

What are the antonyms for Feigning?

Usage examples for Feigning

In the meantime he ought to live in the middle of society, feigning to be what he is not.
"Contemporary Socialism"
John Rae
Even to-day many people do not know that Aristotle used the term "imitation" and Bacon the word "feigning" where we use the word "imagination."
"The Literature of Ecstasy"
Albert Mordell
While feigning to talk at their ease as they rode along, the nerves of both of our two friends were strung to the uttermost.
"The Luck of Gerard Ridgeley"
Bertram Mitford

Famous quotes with Feigning

  • During my high school years, a boy from my neighborhood named Malcolm chose me to be his friend for a season. His elbow nudged my book in the public library one Saturday afternoon as he sprawled forward across the table feigning some condition—boredom, I suppose. His voice was like shadow—as whispery and as indistinct as shadow, due to an adolescent change. “Do you want to wrestle?” he asked. I have never met anyone since who speaks as Malcolm spoke: He daydreamed; he pronounced strategies out loud (as I raked elm leaves from our lawn and piled them in the curb)—about how he would befriend this boy or that boy, never anyone I knew; Malcolm went to a different high school. “First,” he said, “I will tease him about his freckles. Then I will tease him about his laugh—how his laugh sounds a little like a whinny sometimes. I won’t go too far. You should see how his wrist pivots as he dribbles down the court. “He’s got these little curls above his sideburns. I wish I had those.” (He would catch me up on the way to the library.) “What are you reading? We read that last year. Not really a war story, though, is it? Want to go eat French toast?”
    Richard Rodriguez
  • As for your artificial conception of "splendid & traditional ways of life"—I feel quite confident that you are very largely constructing a mythological idealisation of something which never truly existed; a conventional picture based on the perusal of books which followed certain hackneyed lines in the matter of incidents, sentiments, & situations, & which never had a close relationship to the actual societies they professed to depict . . . In some ways the life of certain earlier periods had marked advantages over life today, but there were compensating disadvantages which would make many hesitate about a choice. Some of the most literarily attractive ages had a coarseness, stridency, & squalor which we would find insupportable . . . Modern neurotics, lolling in stuffed easy chairs, merely make a myth of these old periods & use them as the nuclei of escapist daydreams whose substance resembles but little the stern actualities of yesterday. That is undoubtedly the case with me—only I'm fully aware of it. Except in certain selected circles, I would undoubtedly find my own 18th century insufferably coarse, orthodox, arrogant, narrow, & artificial. What I look back upon nostalgically is a dream-world which I invented at the age of four from picture books & the Georgian hill streets of Old Providence. . . . There is something artificial & hollow & unconvincing about self-conscious traditionalism—this being, of course, the only valid objection against it. The best sort of traditionalism is that easy-going eclectic sort which indulges in no frenzied pulmotor stunts, but courses naturally down from generation to generation; bequeathing such elements as really are sound, losing such as have lost value, & adding any which new conditions may make necessary. . . . In short, young man, I have no quarrel with the principle of traditionalism as such, but I have a decided quarrel with everything that is for these qualities mean ugliness & weakness in the most offensive degree. I object to the feigning of artificial moods on the part of literary moderns who cannot even begin to enter into the life & feelings of the past which they claim to represent . . . If there were any reality or depth of feeling involved, the case would be different; but almost invariably the neotraditionalists are sequestered persons remote from any real contacts or experience with life . . . For any person today to fancy he can truly enter into the life & feeling of another period is really nothing but a confession of ignorance of the depth & nature of life in its full sense. This is the case with myself. I feel I am living in the 18th century, though my objective judgment knows better, & realises the vast difference from the real thing. The one redeeming thing about my ignorance of life & remoteness from reality is that , hence (in the last few years) make allowances for it, & do not pretend to an impossible ability to enter into the actual feelings of this or any other age. The emotions of the past were derived from experiences, beliefs, customs, living conditions, historic backgrounds, horizons, &c. &c. so different from our own, that it is simply silly to fancy we can duplicate them, or enter warmly & subjectively into all phases of their aesthetic expression.
    H. P. Lovecraft

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