What is another word for coarseness?

Pronunciation: [kˈɔːsnəs] (IPA)

Coarseness is a term used to describe something that is rough, unrefined, and lacking in finesse. There are several synonyms that can be used to describe coarseness, such as roughness, crudeness, harshness, and abrasiveness. These words can be used to describe a variety of things, from textures to behavior. For example, a person's language or manners can be described as coarse if they are rude or lacking in tact. A fabric or material can also be described as coarse if it is rough to the touch. In summary, coarseness is a term that can be substituted with several other words, depending on the context in which it is used.

Synonyms for Coarseness:

What are the hypernyms for Coarseness?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

What are the hyponyms for Coarseness?

Hyponyms are more specific words categorized under a broader term, known as a hypernym.

What are the opposite words for coarseness?

Coarseness is defined as rough, harsh or crude. There are several antonyms to coarseness, which portray a refined or smooth quality. Elegance, smoothness, softness, gentleness, delicacy and refinement are antonyms for coarseness. These words describe qualities that are sophisticated, refined or beautified. Elegance is a word often used to describe a person's appearance or demeanor that emanates grace and style. Softness, on the other hand, refers to a gentle quality that is soothing to the touch. Delicacy is a term that implies the need for careful handling, while refinement implies the cultivation of good taste and manners. Softness and gentleness evoke a sense of calm and kindness, while coarseness can be loud, harsh and difficult to tolerate.

What are the antonyms for Coarseness?

Usage examples for Coarseness

Doggie coloured at the coarseness of the misunderstanding.
"The Rough Road"
William John Locke
His too frequent coarseness is to be explained by the manners of his age and race; and the imputations which he makes on his enemies were, in all probability, never meant to be taken seriously.
"The Roman Poets of the Republic"
W. Y. Sellar
Catullus, in his very coarseness, betrays the grain of that strong nature, out of which the freedom and energy of the Republic had been developed.
"The Roman Poets of the Republic"
W. Y. Sellar

Famous quotes with Coarseness

  • America is a model of force and freedom and moderation - with all the coarseness and rudeness of its people.
    George Byron
  • Very notable was his distinction between coarseness and vulgarity, coarseness, revealing something; vulgarity, concealing something.
    E. M. Forster
  • Their coarseness is the sinew of some kind of brute confidence which is the reason England is home to every shade of political exile. They don't give asylum out of respect for asylum-seekers, but out of respect for themselves. They invented personal liberty, and they know it, and they did it without having any theories about it. They value liberty because it's liberty.
    Tom Stoppard
  • Wilde himself wrote some things that were not immorality, but merely bad taste; not the bad taste of the conservative suburbs, which merely means anything violent or shocking, but real bad taste; as in a stern subject treated in a florid style; an over-dressed woman at a supper of old friends; or a bad joke that nobody had time to laugh at. This mixture of sensibility and coarseness in the man was very curious; and I for one cannot endure (for example) his sensual way of speaking of dead substances, satin or marble or velvet, as if he were stroking a lot of dogs and cats.
    Oscar Wilde
  • As for your artificial conception of "splendid & traditional ways of life"—I feel quite confident that you are very largely constructing a mythological idealisation of something which never truly existed; a conventional picture based on the perusal of books which followed certain hackneyed lines in the matter of incidents, sentiments, & situations, & which never had a close relationship to the actual societies they professed to depict . . . In some ways the life of certain earlier periods had marked advantages over life today, but there were compensating disadvantages which would make many hesitate about a choice. Some of the most literarily attractive ages had a coarseness, stridency, & squalor which we would find insupportable . . . Modern neurotics, lolling in stuffed easy chairs, merely make a myth of these old periods & use them as the nuclei of escapist daydreams whose substance resembles but little the stern actualities of yesterday. That is undoubtedly the case with me—only I'm fully aware of it. Except in certain selected circles, I would undoubtedly find my own 18th century insufferably coarse, orthodox, arrogant, narrow, & artificial. What I look back upon nostalgically is a dream-world which I invented at the age of four from picture books & the Georgian hill streets of Old Providence. . . . There is something artificial & hollow & unconvincing about self-conscious traditionalism—this being, of course, the only valid objection against it. The best sort of traditionalism is that easy-going eclectic sort which indulges in no frenzied pulmotor stunts, but courses naturally down from generation to generation; bequeathing such elements as really are sound, losing such as have lost value, & adding any which new conditions may make necessary. . . . In short, young man, I have no quarrel with the principle of traditionalism as such, but I have a decided quarrel with everything that is for these qualities mean ugliness & weakness in the most offensive degree. I object to the feigning of artificial moods on the part of literary moderns who cannot even begin to enter into the life & feelings of the past which they claim to represent . . . If there were any reality or depth of feeling involved, the case would be different; but almost invariably the neotraditionalists are sequestered persons remote from any real contacts or experience with life . . . For any person today to fancy he can truly enter into the life & feeling of another period is really nothing but a confession of ignorance of the depth & nature of life in its full sense. This is the case with myself. I feel I am living in the 18th century, though my objective judgment knows better, & realises the vast difference from the real thing. The one redeeming thing about my ignorance of life & remoteness from reality is that , hence (in the last few years) make allowances for it, & do not pretend to an impossible ability to enter into the actual feelings of this or any other age. The emotions of the past were derived from experiences, beliefs, customs, living conditions, historic backgrounds, horizons, &c. &c. so different from our own, that it is simply silly to fancy we can duplicate them, or enter warmly & subjectively into all phases of their aesthetic expression.
    H. P. Lovecraft

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