What is another word for blue pencil?

Pronunciation: [blˈuː pˈɛnsə͡l] (IPA)

Blue pencil is a term often used to refer to the process of editing or censoring written material. However, there are many synonyms for this term that can be used to describe this process. These include redact, cut, edit, modify, adjust, remove, alter, amend, revise, delete, or strike out. Each of these words captures a slightly different aspect of the editing process, from making small tweaks to completely deleting large sections of text. Regardless of which synonym is used, the goal is the same: to improve clarity, accuracy, or appropriateness of written material through the process of careful, strategic editing.

Synonyms for Blue pencil:

What are the hypernyms for Blue pencil?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.
  • Other hypernyms:

    stationery, art supply, writing utensil, Editing tool.

What are the opposite words for blue pencil?

Blue pencil refers to the act of editing or revising a written document. Some antonyms for blue pencil could be words or phrases that mean to leave a document as is or ignore grammatical errors or typos. Examples of antonyms for blue pencil are overlook, ignore, neglect, or leave untouched. Alternatively, antonyms could refer to actions that add more to a document, such as annotating, enhancing, or highlighting. The opposite of blue pencil includes publishing documents as is, overlooking typos or errors, or enhancing the creative writing experience by utilizing colorful pens or markers. Regardless of which antonym is used, blue pencil will always remain a valuable tool for perfecting written documents.

What are the antonyms for Blue pencil?

Famous quotes with Blue pencil

  • He was a great artist. He also was really a charlatan. I mean by a charlatan one sufficiently dignified to despise the tricks that he employs. … Wilde and his school professed to stand as solitary artistic souls apart from the public. They professed to scorn the middle class, and declared that the artist must not work for the bourgeois. The truth is that no artist so really great ever worked so much for the bourgeois as Oscar Wilde. No man, so capable of thinking about truth and beauty, ever thought so constantly about his own effect on the middle classes. … One might go through his swift and sparkling plays with a red and blue pencil marking two kinds of epigrams; the real epigram which he wrote to please his own wild intellect, and the sham epigram which he wrote to thrill the very tamest part of our tame civilization.
    Oscar Wilde

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